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c. 1445 – May 17, 1510. Italian painter.

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Anthonie Leemans
Still life with a copy of De Waere Mercurius, a broadsheet with the news of Tromp's victory over three English ships on 28 June 1639, and a poem telli

ID: 75097

Anthonie Leemans Still life with a copy of De Waere Mercurius, a broadsheet with the news of Tromp's victory over three English ships on 28 June 1639, and a poem telli
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Anthonie Leemans Still life with a copy of De Waere Mercurius, a broadsheet with the news of Tromp's victory over three English ships on 28 June 1639, and a poem telli


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Anthonie Leemans

(1631, The Hague - 1673, Amsterdam), was a Dutch Golden Age painter. According to Houbraken, who did not specify which brother he meant, he made a profitable living making trompe l'oeil paintings of hunting paraphernalia, birdcages, and weaponry. According to the RKD he was the older brother of the painter Johannes Leemans, and both are known for still life paintings of hunting paraphernalia and vanitas pieces that became an influence on Christoffel Pierson for their popularity. Anthonie also painted a few Italianate landscapes with soldiers.   Related Paintings of Anthonie Leemans :. | The Virgin and Child with the Magadalen and Saint John the Baptist | The Spell | Fall of the Tees, Yorkshire | Dolorosa | Live Larsdatter |
Related Artists:
Pawel Andrejewitsch Fedotow
painted Junge Witwe in 1851
Perry, Lilla Calbot
American, 1848-1933
Bernardino Fungai
Italian 1460-1516 Italian painter. He is recorded in 1482 as Benvenuto di Giovanni garzone at work on the monochrome frescoes decorating the drum of the cupola of Siena Cathedral. Most scholars have accepted Benvenuto as Fungai teacher but stress the greater influence of Matteo di Giovanni; other proposals have included Giovanni di Paolo and, following the reattribution of paintings traditionally ascribed to Giacomo Pacchiarotti, Pietro Orioli. Fungai depended heavily on the preceding generation of Sienese painters and was considerably influenced by the contemporary activity of Pietro Perugino, Luca Signorelli and Bernardino Pinturicchio in and around Siena. His works are characterized by the docility of the figures, a keen decorative sensibility in the use of colour and the treatment of drapery and landscape, and a pleasantly engaging narrative skill. Although identification of works from his early career is problematic, a sizeable oeuvre has been ascribed on the basis of a signed and dated altarpiece executed for S Niccole al Carmine depicting the Virgin and Child Enthroned with SS Sebastian, Jerome, Nicholas and Anthony of Padua (1512; Siena, Pin. N.).






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